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Standing by the lake are a naked grandfather and a child. On the pages of the atlas as the afternoon Only that afternoon is written in embossed letters Later borders and grandfathers turned out to be relative ‘A splendid collection of little whores they have there,’ he saidĪnd I thought a whore must be something like the Eiffel TowerĪnd was offended he’d never brought one home Is my grandfather’s bookcase and the Sunday afternoon Still standing in the debris of forgetting I The Red Cross on the Treasure Map Bucharest People Who Watch Wildlife Films to Better Understand ThemselvesĪfter nothing does the womanly desire to please strive so much as after the appearance of the naive sufficient proof, even if we were to have no other, that the greatest power of the sex reposes in this property.įRIEDRICH SCHILLER, On Naïve and Sentimental Poetry That someone’s second book can be so audacious and dauntless is remarkable.’ – VSB poëzieprijs 2018 jury, on Nachtroer ‘This is carefully accurate poetry, eloquent and adventurous, and truly authentic. ‘This poetry parades like the chameleon in various appearances…in streaming language and unlikely, striking images.’ – Humo, on Chameleon
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Chameleon | Nachtroer sets the two books afloat in English. Nachtroer’s last poem is about building a boat for such a voyage. In Nachtroer her poems take a nighttime journey through heartbreak, insomnia and the hectic flow of daily life, driven by a desire for disappearance, displacement and dissolution.Ĭhameleon ends with taking to the ocean. Her first English translation combines her debut volume with her second book Nachtroer (2017), its untranslatable title the name of all-night shop in Antwerp where she lives.Ĭhameleon is a set of apparently naïve but knowingly ironic, playful and subversive poems which trace a girl’s search for a woman’s identity, a coming-of-age exploration of body and language drawing on memories, shapes and landscapes. Lire la suiteĬHARLOTTE VAN DEN BROECK CHAMELEON | NACHTROERĪfter first making her mark as a compelling performer, Belgian poet Charlotte Van den Broeck was acclaimed as one of Europe’s most innovative and original new voices in poetry following the publication of her first collection Chameleon in 2015. As well as publishing critically acclaimed collections she is renowned for her distinctive performances, which differ from UK/US versions of spoken word as theatre pieces ‘searching for the speakability and experience of oral poetry’, now presented in English as well as Dutch. In 2017 she was one of that year’s Versopolis poets, performing at several European festivals including Ledbury in Britain. In 2016 she opened the Frankfurt Bookfair together with Dutch poet Arnon Grunberg. Her poetry has also been translated into German, Spanish, French, Serbian and Arabic.
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These two volumes are combined in Chameleon | Nachtroer, translated from the Dutch by David Colmer (Bloodaxe Books, 2020). She has published two collections of poetry, Kameleon (2015), which was awarded the Herman de Coninck debut prize for poetry by a Flemish author, and Nachtroer (2017), which was nominated for the VSB Poetry Prize 2018 and the Ida Gerhard Prize. After studies in English and German, she took a Masters in Drama at the Royal Conservatoire in Antwerp. Chameleon | Nachtroer sets the two books afloat in English.Ĭharlotte Van den Broeck was born in Turnhout, Belgium, in 1991. In Nachtroer her poems take a nighttime journey through heartbreak, insomnia and the hectic flow of daily life, driven by a desire for disappearance, displacement and dissolution. Chameleon is a set of apparently naïve but knowingly ironic, playful and subversive poems which trace a girl’s search for a woman’s identity, a coming-of-age exploration of body and language drawing on memories, shapes and landscapes. Her first English translation combines her debut volume with her second book Nachtroer (2017), its untranslatable title the name of all-night shop in Antwerp where she lives. After first making her mark as a compelling performer, Belgian poet Charlotte Van den Broeck was acclaimed as one of Europe’s most innovative and original new voices in poetry following the publication of her first collection Chameleon in 2015.